Tag Archives: bronze
￼It’s a funny thing I’ve noticed about myself over the years. Often, when I come up with a concept that I feel strong about, I have to sculpt the subject two or three times to exhaust my mind “off of it”. Otherwise the idea haunts me. Such was the case with this one…..it is my second bookend. I’m finding I may have a third one in me……of a woman in a chair, as a book end (we’ll see).
I tried to upload a video in this post. I’m not sure if it will work or not.
“Rescue” gets a new patina.
At the foundry with my patina man, Kike. Going for the European old school look.
“Base Ball” is finally in the ‘mold room’ at the foundry. T’will be August 2015 when the first castings come out.
18 1/2″ high c 32″ wide x 11″ deep
Edition of #50
I’ve decided to make it a Native American and add a quartered moose as cargo in the canoe. several people suggested I put antlers in the piece.
‘m still looking for a title that would do the piece justice. If anybody has a suggestion I’m all ears.
Cleaning off my shelves with another idea that has lingered too long. For me, it’s actually common to rough in a piece and get the jest of an idea down and look at it for years….as a clay sculpture. Don’t judge the piece too harshly, I’ve only sculpted on it about five days over the past three years.
The special part about creating this piece is it’s an idea given to me five or six years ago by a client, who has become a dear friend. In his own right, he has the soul of an artist. On numerous occasions I have heard him talk about his love of the arts and weep while doing so.
If you have a suggestion please send it my way. I’m trying to decide if I should make the person in the canoe a Native American or Mountain Man?
The reason I like it being an Indian is I get to show the human anatomy and not cover it with clothing. That’s straight out of my mentor (Fritz White’s) playbook.
Long before I began sculpting, I noticed that the Oval Office had sculptures in it. Remington’s “Bronco Buster”, a bust of Abraham Lincoln, until a few years ago, a bust of Churchill.
Once I became a sculptor, I thought, “One day I want to create a piece that would fit the aura of the office of the President of United States.”
In 25 years of sculpting, this may be as close as I’ve ever come.
I call it: “American Cowboy”.
Almost every time I create a sculpture I cut the clay head off and sculpt it in my hands. It allows me to turn it and look at it from every angle. It assists me to be able to turn the head at will and see it from all perspectives.
If you look at the sculpture below, with the man on a horse, you’ll see the head ‘blocked in’. That’s the first draft. This morning,
I cut the head off and spent about 15 minutes creating this second draft.
I know I will have a minimum of five drafts on this head.
Ok sculpture fans…….and those who can identify with procrastination.
Here’s a piece I’ve had in the clay for seven years. Probably, six of those years I haven’t touched it. It’s just been taking up space in storage units or at my studio. About a month ago my wife said, “Why don’t you finish ‘Not even a whisper’?” I thought, “heck why not!”
I really am considering the title, “Wisdom lives to fight another day”
15″ high x 29″ wide
My website: ScottRogersSculpture.com
It’s taken a year….but finally got this bad boy to the foundry.
I’ve learned something about how I work. I do my finest sculpting when a piece is allowed to sit for a year and have me come with a fresh eye 8-10 times during that period.
Does anyone both hear and act on “whispers” like I do? I find that when I listen to the faintest glimpse of an idea……I often find genius.
I’m driving to Santa Fe New Mexico and on my way I’m passing through Price, Utah. Out of the blue I get the idea to photograph a sculpture “now”. This is a piece that I don’t have a good photograph of the finished bronze. It’s inconvenient, I’d rather wait, perhaps find a better location, it’s freezing outside. But then I get the prompting a second time. And from past experience, I know that the prompting won’t be repeated again.
I set up my tripod and used my 35mm camera and took a dozen pictures.
I will take these photos home, upload to my computer and Photoshop the best one with the background of my choice.
THE PONY EXPRESS
Since my last post…….I bet I’ve spent another 20 hrs on this piece during the past three days. Finally getting close. “I think”.
My mentor once told me, “You spend 10% of the time roughing in 90% of the piece….and 90% of the time on the last 10% of the piece.” Truth.
To quote my mentor, Fritz White, “Being a sculptor is not for sissies”.
It’s been a long time since I’ve struggled with a piece as much as I have with this one. I’ve built it up and torn it down at least six different times.
Yesterday, the words echoed through my mind “nobility of concept”. They were the words of an artist, Garland Weeks, who I took a workshop from 18 years ago. That one phrase assisted me to make a few adjustments for the better.
I’ve learned that a huge part of what I do is “listening to the whispers”.
Up in Cody, Wyoming, at the Buffalo Bill Art Show (this past weekend), they hold what’s called a “Quick Draw” for artists to participate in. Artists are given one hour to complete a sculpture or painting. They are then auctioned off on the spot. It’s one of the most insane things I’ve ever participated in.
Here is my effort: